What's been happening...
What a year it has been so far—truly full of a little bit of everything. There has been a mix of work, a bit of travel, and some moments devoted to art. I began this blog as a way to share what has been happening in my world,
Honda
Hotlanta shoot with Director Bryan Barber. We had three intense shoot days on location. This project was delayed by three weeks due to persistent weather challenges, but after some patience and adjustments, we finally managed to complete it! For this shoot, we chose to film on the Sony Venice at 8.6K resolution, paired with Tokina Vista large format primes to capture stunning detail. The color grading drew inspiration from a Kodak Gold 200 preset, which we carefully tweaked to fit the mood perfectly. Additionally, we employed a Technocrane for epic wide establishing shots and dynamic, sweeping camera movements that truly enhanced the visual storytelling. It’s always a privilege to work with the best gear to bring the director’s creative vision fully to life. for still photography I shot with the Nikon z9 . Fast, ergonomic and robust.
Computershare
Sometimes we have to wear many hats, juggling multiple roles to bring a project to life. This particular one was a unique challenge, as I took on the responsibilities of director, cinematographer, and photographer all at once. I truly enjoy collaborating with Element Productions in Boston, as their professionalism makes the process smooth and rewarding. Over two intensive shoot days on location, with an additional day dedicated solely to still photography, we had a lot of ground to cover and many creative goals to accomplish. For the video, I used the Alexa Mini LF paired with Cooke anamorphic prime lenses — a combination that creates pure cinematic magic with stunning image quality. For the stills, I relied on the Nikon Z9, which has become my go-to camera system due to its ergonomic design that fits perfectly in your hand and its impressive ability to shoot at 18 frames per second, allowing creative ideas to flow seamlessly and spontaneously.
Coors light
A series of great shoots with Director Dana Tynan had us crisscrossing the country extensively. From Houston to Miami and then back to Los Angeles, we covered a lot of ground. The in-house team at Molson’s Volt Studio proved to be an absolute dream to work with, delivering exceptional support throughout the process. To achieve the requested 9x16 format for a social platform release, we utilized the RED Komodo at an impressive 6k resolution, paired with Leica Summicron-C primes. Its compact, fast, and nimble qualities allowed for seamless operation, especially when the camera was positioned sideways for the vertical format. .
The Artists
Shaboozey, Lainey Wilson & Yandel
Art
YES, I have a bit of a camera “problem.” I absolutely love old cameras and have a deep passion for vintage lenses. If only these timeless pieces could tell us the incredible stories they have witnessed over the decades! The process of true analog film photography requires patience, skill, and a touch of luck. Much like any organic process, the results can sometimes be surprising and unpredictable, which I like to call happy accidents. I enjoy shooting both still lifes and portraits, finding joy in capturing different subjects. I choose various film stocks thoughtfully, as I consider them to be my paint brushes, each bringing a distinct character to the final image. Every lens possesses its own unique qualities, including special bokeh and rendering styles. Some of these lenses I cherish are well over 100 years old, carrying with them a rich history and character that modern equipment rarely matches. If you would like to sit for a portrait please hit me up!!!!
Deardorff 8×10 Bergger Pan 400 Voightlander 360mm brass lens 1890
The Wise Hatter. Deardorff 8×10 Kodak Max 400 Leica 400mm projection lens
Speed Graphic 1945 135mm Zeiss Planar Kodak Portra 160